Guitar Players and Private Dicks: 10 Traits in Common

I write mystery novels that feature a private investigator named Rolly Waters. He’s also a guitar player – a very good guitar player, but not a particularly successful one. That’s why he has a day job as a detective. Here’s 10 ways working guitar players are a lot like your classic fictional detective.

tijuana_guitars_quote

  • They have easy access to alcohol
  • They have easy access to women who drink too much alcohol
  • They enter buildings through the back entrance
  • They employ a protective layer of cynicism
  • They see bad behavior at both ends of the socio-economic scale
  • They’re used to sketchy lighting (or moody lighting, depending on your take)
  • They know how to talk their way out of a fight
  • They feel nervous around cops, and vice versa
  • They have a business partner who’s been mugged
  • They put in more hours than they’ll ever get paid for

What do you think? Are there any other traits guitar players and private detectives have in common?

Free Songs From my Vaults – Music from the Rolly Waters Mystery Series


Book Cover - Border Field Blues

As I mentioned in a previous blog entry, one of the things I get to do when working on my Rolly Waters books is raid my songwriting closet for material that I can use as lyrics for Rolly to sing. In Border Field Blues, I made the song Jungle Love central to the plot.
 
 

In the first Rolly Waters Mystery, Black’s Beach Shuffle I lifted a couple of lyrics from a couple of my songs (one from a very long time ago). I’ve embedded these here so you can stream/download them.

Hercules is from the last recording session I did with my last band, Bad Dog. At the end of the Wake-Up Call chapter in Black’s Beach Shuffle, Rolly gets his guitar out and sings a few lines from this.

If you find this song to your taste, you may want to check out the Best of Bad Dog material, available from Amazon and iTunes.

Of much earlier vintage (1980), is the following:
In Black’s Beach Shuffle,Rolly sits down and starts playing Maybe It’s Too Late as he ponders how he’ll confront King Gibson about Gibson’s real identity. The song is from the first “real studio” recording session I did with my pop/new wave band, The P-15s, in Los Angeles, circa 1980. That’s me singing, and I think all will agree, it was a good idea to get other people to sing my songs. The band sounds good though and there’s some interesting chord changes.